Underground biography

Try the literature selection service. You can always turn off the advertisement. Abuzyarov Whose Creative Work Echoes F. Abuzyarov and Paradoxicalist F. The Paper Conseders Dialogic Reating Work of the Modern Writer and the Classical Writer. The text of the scientific work on the topic “Underground” person in modern Russian -speaking prose on the material of the works of I.

Abuzyarov, whose work is included in the dialogue with F. The main attention is focused on the study of the characteristic features of the “underground”, as well as the polemic of the “underground” philosophy of F. Dostoevsky with the philosophy of the underground ”made a conclusion about the similarities and differences The "underground" man in the work of I.

Abuzyarov and paradoxalist F. established that the "underground" performs the identifying function, with the help of the "underground" the characters of the heroes are revealed. In this work, an attempt is made to illuminate the dialogical relations arising in the work of a modern writer and classic. Article address: www. Questions of the theory and practice of Tambov: Diploma, Tom Issue 9.

ISSN address of the magazine: www. The definition of literature, therefore, is the idea of ​​it as a field of artistic creation, which is distinguished by the ambiguity of textual forms. List of sources 1. Bart R. Selected works. Zero degree of writing. Derrida J. About grammatology. Letter and difference. Igalton T. Theory of literature. Kekeeva T. Lotman and V.

Sossyur F. Notes on general linguistics. Foucault M. What is the author? Barthes R. Sade, Fourier, Loyola. Eagleton T. Criticism and Ideology. Falk W. Jacobson R. Cambridge, Levi-Strauss C. The Savage Mind. Warren R. Talking: Interviews. Watkins, J. Gorodovikov, Elista T. Kekeeva Yandex. The Focus Is on Literature as a Result of Creativity with Special Requirements. Basing on the Analysis of the Attitude of the Two Schools Structuralism and PostSteSturalism to the Text, Sign, Meaning, it is shown that state Poststructu-Ralists Promoteed the Emergence of New Views on the Essence of Literature in Terms of Understanding the Sign and Symbol of Language, Writing and Writing and Symbol Literature.

Key Words and Phrases: R. Barthes; interpretation; Criticism; Literature; Structuralism; PostStructuralism. UDC is the main attention of the study of the characteristic features of the “underground” and the heroes of the “underground”, as well as on the polemic of the philosophy of “underground” by F. Dostoevsky with the philosophy of “underground” I. concluded about the similarities and differences of the “underground” person in the work of I.

establishes that the “underground” performs the identifying function, the characters are revealed with the help of the “underground” Heroes. Key words and phrases: Russian -speaking prose; "underground"; "Underground" hero; image; motive; I. Abuzyarov; dialogue; dialogue relations; identification. However, there are scientists who claim that this type is significant for Russian artistic anthropology as a whole.

In particular, in the work of K. Kasatkina, a hypothesis is put forward that the “notes from the underground” by F. Dostoevsky in a special way influenced the work of V. Garshin, A. Kuprin, L. Andreev and Yu. Olesha, M. Albov and V. Sventsitsky [7]. As the scientist notes, the psychology of “underground” is characterized by such antinomic features as self -abasement and pride, feelings of shame and loneliness, duality of consciousness [ibid.].

According to the comments of other researchers, the nature of the “underground” person can be determined by the following features: “underground” person is characterized by the desire of the will of power, freedom, suffering. We emphasize that in our anthropological methodology, the thinker has an “underground” person in a middle person, and this is the beginning of the path of a person who can continue to fall and upwards ”[6, p.

According to N. Berdyaev, F. Dostoevsky "changed the fabric of the soul." The same is characteristic of the heroes of I. Abuzyarov, in whose work there is a dialogue with a classic. The study of the types of dialogic relations with the traditions of Russian classics of the XIX century. Dostoevsky seems relevant and significant for understanding the specifics of the artistic method of I.

Abuzyarov, who creates works in paradigms of various national and cultural traditions. The scientific novelty of this study is determined by its material: the work of I. Abuzyarov seems to be poorly studied from serious literary studies, the article by D. Uffelmann [11] and requires a reasonable and adequate aesthetic assessment. The task of our work is to consider dialogue and dialogical relations arising in the work of a modern writer and classic.

In the work of F. Dostoevsky, the “underground” person is the type of the majority, and I. Abuzyarov’s “underground” person is, rather, an exceptional person who often manifests himself in rebellion, even if such that can harm not only to others, but also himself. Nikolsky believes that the “underground” “cannot but recognize the great forces hidden in reality, which he cannot withstand with his claims to truth and greatness.

This reality mercilessly laughs at him.Why do "underground" are looking for "originality"? The reason is the thirst to distinguish between “what God sent”, even with baseness - is only one part of the explanation. Another - in their organic desire not to be similar, including people of "practical", that is, having a position and condition. Fear of being ordinary, "gray" - this feeling seems to be pursuing all "underground".

Perhaps one of the most beloved deeds of the "underground" is to look for the features of "underground" among other, normal people and contributing to their development in full -fledged "underground". In other words, the reduction of a person who was peeled off into the mud in the most deep place in a dirty puddle in order to get dirty better ”[9]. Krinitsyn notes the inability of the paradoxicalist to communicate: he “is trying to overcome the abyss that he feels among himself and others, one dizzying jump - a complete revelation in this way,“ Alien ”is overcome illegally - through“ breaking the walls ”and“ others ”[8, p.