Biography ultra

The biography of Robert Truchillo in facts and quotes his real name is Roberto Agustin Miguel Santiago Samuel Trukhillo Veracruc and, as might guess, Mexican origin. Almost all my cousins ​​were gangsters. Some were from Kulver City gangs, some of the Benes. And two cities in California, as you know, are very closely connected. Music always sounded in his house in childhood: Robert's mother was a big fan of Motown Records.

She was young, and when she danced with her friends, I climbed onto the chest of drawers and depicted a game on an air guitar or on an air saxophone - in general on any air instrument. Then I began to communicate closely with my dad, and he played everything from Rolling Stones and Led Zeppelin and ending with Beethoven. My cousins ​​then began to clash Black Sabbath. At the age of 19, Robert went to a jazz school with the intention of becoming a studio jazzman, but in his soul he kept a passion for rock and metal.

We lived on the border of Kulver City. Skateboards were very popular there, and I began to play in the courtyard groups. I played a lot from Sabbath, Ozzy, Rush. At 19, I entered a jazz school. I wanted to be a studio musician, but I still loved heavy music very much. During the period of work with Ozzi, Osborne Robert founded the experimental super-group Mass Mental, which released one studio and one Live album.

Trukhillo is included in the Hall of Fame Rock-N Rolla as a bassist Metallica. In the year, Robert appeared in the Nickel Creek group Smooth Song video as a smuggler, but he did not participate in the recording of the song. Robert's wife burned the Aztec calendar on his bass gitar. Trukhillo appeared several times in the cinema. He also noted as a producer in the film Jaco Jaco, dedicated to one of his musical idols of childhood, Jaco Pastorius.

Trukhillo plays on the bass gitar with the technique of slap-fingers, but on some living performances the mediator uses. The stage behavior gives a special flavor of Truchillo. His movements along the stage in the half-delusions of Krabia gait became an integral feature of each concert. Even his terrible faces were his terrible tricks, which he loved to make so on the stage.

Robert has developed and uses his own encoding to record bass arrangements. When Metallica is gathering together and connected to the equipment, they turn into energetic adolescents. It makes the music interesting. That is why I know that the next stage will be even better. We must go through all the obstacles. Over time, many things happen in the world of metallics. Now I know that the group has a strong sense of unity.

After all, we have a lot of common interests. I can always ask them for advice. In April, at the age of twelve years, Ty Trukhillo joined the Nu-metal group Korn, replacing their main bassist in a concert tour in South America, and played on the same stage with Foo Fighters. And Ozzi was just at that time in the same studio, recording No More Tears, and so we became neighbors in the studio rooms.

Ozzi ran along the corridor, specifically losing his mind. We thought it would be cool if he sang the song with us on the Epic label. He offered to go with him with the Tour of Theatre of Madness, where we performed for a month. So we met closer, and 8 years later, Zakk called me, with whom shortly afterwards I began to play Black Label Society. Commenting on the origins of his “Crab Prets”, Trukhillo says: it has gone since concerts from Ozzi Osborne.

We played the first or second show ... As far as I remember, this was my second show with Ozzi when we performed in Las Vegas ... We played “Sweet Leaf” Black Sabbath, and he approached everyone, calling to move on the stage and all that. I just started doing these strange things in the Sumo style.

People called this "gait of a crab." I went to Ozzi, and he joined me. It was so fun, so we arranged this constantly since then ... Now we are separate. But I hope he still does it. Subscribe to us:.