Bondone Giotto Biography

Bibliography Biography Giotto Di Bondone was born in the year allegedly near the town of Vicko, located east of Florence, in the village of College Wespignano. There are other assumptions about the date of birth of Giotto up to a year. Vasari claimed that Giotto was born in the year. But it is most likely that the artist died in the year according to Antonio Puchchi at the age of seventy.

The father of the future artist bore the name of Bondona Um. Later, Giotto acquired land and houses in Vespignano. Repeatedly in Florentine documents, the artist is mentioned as Del Popolo di Santa Maria Novella. His father, according to this version, was a blacksmith. The name Giotto, perhaps, is reduced from Anjiolotto or Ambrodzhotto. According to Vazari, he was a student of Chimabue, modern researchers question this point of view.

The story that Chimabue saw a young shepherd Jotto, drawing a sheep and admired his talent is now considered a literary legend. According to Vasari, Chimabue and Giotto worked together on fresco murals in the church of San Francesco, in Assisi, and the second surpassed the first. In one of the documents of the year, Giotto is called the owner of the house in Florence.

By this time, Giotto had already married. The name of the wife - Chiuse di Lop del sang. They had eight children, one of the sons became a painter. The work of Giotto Reformer of Italian painting, Giotto opened a new stage in the history of the painting of the whole of Europe and was the forerunner of the art of revival. Its historical place is determined by overcoming medieval Italo-Byzantine traditions.

Giotto created the appearance of the world adequate to real in its main properties - materiality and spatial length. Using a number of techniques known in his time - angular angles, simplified, that is at the same time, he developed the techniques of tonal luminous modeling of forms using the gradual highlighting of the main, rich colorful tone, which allowed the forms to give almost sculptural volume and at the same time to maintain the radiant purity of color, its decorative functions.

Dedicated to the lives of Mary and Christ, located on the walls of three horizontal rows, paintings are distinguished by drama, vital persuasiveness of images, the bold construction of space and the modeling of plastic volume, the simplicity and expressiveness of gestures and angles, and the observance of the unity of time and place in each composition, bright, festive color.

In the paintings of the Chapel of Peruzzzi and Bardi in the Florentine Church, Santa-Croce Giotto reached the persuasiveness of the spatial construction, organic connection with architecture, calm solemnity and architectonic harmony of the composition, the restraint of color, monumentality of images. Giotto is attributed to the project of the Campanila Florentine Cathedral.

Construction began in, continued in Andrea Pisano, completed near F. Giotto's work had a huge impact on the development of the Italian art of early and high revival. Interesting facts from the life of the artist Giotto were a student in the workshop of the Florentine artist Chimabua Giovanni. Once, when his teacher, while working for a while, was excommunicated for a while, Giotto painted on the nose of one of the figures written by Chimabue, the fly, so realistically that when his teacher returned to continue his work, he unsuccessfully tried to drive this fly several times, taking it for the present until he noticed his mistake.

To do this, he sent to Florence and Siena his courtier, who was supposed to get acquainted with local painters and take samples of drawings from them. And according to these samples, dad was to choose the most skillful. When the Pope's messenger arrived at Giotto and told him about his assignment, Giotto took a sheet of paper, dipped the brush in red paint and pressing his elbow to his side, drew an absolutely correct and even circle.

Then Giotto took this sheet and handed it to the courtier with the words: "Here is a drawing for you." To which I heard the surprised in response: “How, there will be no other drawing? When the patterns of the drawings reached the dad, his messenger told how Giotto painted this circle without using the compass and not moving his elbow. Pope Boniface VIII, who knew a lot about painting, admitted that Giotto surpasses all the other painters of his time with his skill.

As a result, Giotto was invited to Rome with great honors. He was instructed to write five stories from the life of Christ in St. Peter's Cathedral. And Giotto did it with great skill and thoroughness. When dad saw these works, he liked them so much that he ordered the artist to write stories from the Old and New Testament throughout St. Peter's Council. Bibliography Previtali G.

Giotto E la Sua Bottega. Bellozi L. Alpatov M. Italian art of Dante and Giotto. Wolf N. Tourtephiri A. Lazarev V. When writing this article, materials of such sites were used: Christianart. Giotto: Pictures of the artist.