Aitmatov writer biography

But as a great risk that such a meeting will not lead to anything, a person comprehends only later - and then he becomes scary for a moment at the thought, and that if the meeting turned out to be in vain, because the outcome of the meeting does not depend on God, but on the people themselves, ”the“ block ”Chingiz”. People's Writer of Kyrgyzstan and Kazakhstan, laureate of the Lenin Prize and three state prizes of the USSR, European literary and international prize named after Javaharlal Nevru, the holder of the highest award of the Turkish government for the development of the culture of the Turkic -speaking countries - all these titles and genuine folk recognition not only on the territory of the post -Soviet space, but throughout the world are also owned by the world Genghisa Aitmatov, a great writer and a public figure who was able to absorb the qualities of a real person.

Even during his lifetime, he became the most cited classic of world literature. Aitmatov wrote in his native Kyrgyz and Russian languages, and his works went out in more than languages ​​of the world. Each work of the writer is permeated with the ideas of humanism and great love for all living things, which is why his works and stories have become more than just another literary work that is dusting on a shelf, not only for its compatriots, but for the whole world.

After the birth of her son, a couple Aitmatov moved to the city, as the head of the family went to the service - in the year he already became the second secretary of the Kyrgyz regional committee of the CPSU b. And two years later, the father of Genghis Aitmatov was enrolled in the ranks of the Students of the Institute of Red Professors in Moscow, and the family had a new move - this time to Moscow.

During this period of time, Nagima gave birth to her husband, the son of Ilgiz, twins roar and Lucia, unfortunately, the boy died in infancy and daughter Rosa. In the year, at the insistence of her husband, the children were sent to relatives in Sheker. Only after the war ended, the young man was able to continue his studies: after the rural eight -year -old he graduated with honors from the Dzhambuls Zootechnics and entered the Kyrgyz Agricultural Institute in Frunze in the Kyrgyz.

Immediately after graduating from the institute in the year, Genghis Aitmatov, already as a senior livestock specialist in the Kyrgyz Research Institute of Livestock, continued to write stories in Russian and Kyrgyz, publishing texts in local periodicals. In the year, Aitmatov decided to increase his professional skill and went to Moscow, where he became a listener of the highest literary courses.

At the same time, the young author did not stop writing, and already in June, his first story “Face to Face” was printed in the magazine Ala-Too. In the same year, the work of Jamil was presented to the court of the general public. Interestingly, this story, which later made the writer the world famous, was first published in French. The writer finished literary courses in the year.

By this moment, two stories and stories in Russian were already presented from under his pen to the court. But Aitmatov’s first novel will be published only in the year - after 22 years. We are talking about the work "And the day lasts longer than a century." The second novel by Aitmatov, the "Plokh", came out six years later, in the year. This novel made an indelible impression on readers, raising several acute topics at once and focusing on problems such as drug addiction and corruption, not bypassing the concept of faith, honesty and sincerity of the ministers of the church.

Пожалуй, каждое произведение Айтматова не просто знакомит читателя с особенностями степных народов речь идёт о казахах и кыргызах , но задевает самые потаённые струны, заставляет сострадать главным героям, находить отголосок их печали в своём сердце, переосмысливать собственные ценности, открывая глаза на мир вокруг и на истинные человеческие качества, вечные, как песок в пустыне — честность, искренность, Love, friendship, really.

A special place in Aitmatov’s work was occupied by the history of his native, Kyrgyz people, including the appearance and further preservation, sometimes at the cost of their life. All this was reflected in the Kyrgyz epos "Manas". In the yard a year. The little -known young writer, a student of the Literary Institute in Moscow, arrives for several days to the greatest storyteller of the epic “Manas” Sayakbay Karalaeva, to plunge headlong into the atmosphere of the legend, to understand what the epic, which has become the personification of the entire Kyrgyz people.

Literally a couple of days who are young Aitmatov, by the way, in a picture dedicated to the personality of Manaschi - the narrator of the epic - the writer plays his son - Eldar takes the storyteller in the family, allow not only to hear “Manas” from the lips of Sayakbay himself, from whose voice everything around, but also understand, feel the long -suffering history of their people, pass through the chain of historical events, understanding, as roads for roads for Kyrgyz image of Manas and his closest friends.

It is reliably known that the Aitmatov Genghis at one time lived in the same house with Sayakbay Karalaev and loved to talk for a long time with Manaschi. Perhaps, after one of these conversations, Aitmatov later wrote in one of his articles: “Sayakbay was the performer of international significance ... To tell the epic about“ Manas ”and the exact transmission of antiquity the depth and spirit of antiquity, you need to be not only a narrator, but also an artist, an artist and a scammer.

And Sayakbay, who has mastered the art of Manas’s story all his life, was so the Karalaev’s song is full of strong emotions, here you have rhythm, passion, and inspiration, and then tears, sadness, sadness. The courage of the hero, his determination and courage follow them. ” It was the Kazakh poet and public figure Mukhtar Auezov, whose patronage of the young Kyrgyz writer found after a trip to Sayakbay, who played a decisive role in maintaining the epic "Manas", at the cost of his own career, preventing his departure in oblivion.

But back to the essence of the story, to the personality of the protagonist of Sayakbai, who, with one voice that revives from dust, the ancient folk epos “Manas” forced not only people, but the whole nature around. Even before birth, the future Manaschi was marked by God, but at the same time he never distinguished himself, did not feel special. For three days his mother could not give birth to her son, spending every minute in painful pain.

And only the Kanykei spirit freed by the old man helped the boy be born. It is at this moment that you understand that Sayakbay is destined to become a guiding star for his people, to become a reservoir of the heroic epic, who will allow the near future to preserve the Kyrgyz not only his identity, but also the spirit of the nation ... For the first time, the main character learns about Manas a little later, when his mother sends him to search for the dangling herd of sheep.

Then he sees the frame of the yurt and the young kankei, who invites him to the table generously covered with different dishes. Just do not rush, eat measuredly to absorb more legends about the Great Manas. ” However, little Sayakbai eats up very quickly than disappointing the wife of Manas: “What a pity, great legend, you could only absorb a small piece! And only towards the end they become clear how deep and prophetic the words of the kanyke were - despite the skill and breadth of his talent, Manaschi Sayakbay managed to express only a small part of what his native Kyrgyz people were rich in.

Sayakbay is not limited only to broadcasts of the epic of a wide audience. He also picks up a weapon and leaves no attempts to free the Kyrgyz from the oppression of class enemies, to free from illiteracy. And all this under the inspiring lines of the epic "Manas" ... But all this is the heroic side of the hero. And as for his life, his family? The author of the story, and after him the director of the picture shot from the work, makes it possible to see the simple, human face of the storyteller of the epic.

It was then that the first acquaintance of the reader or viewer with his wife Beishekan, whom the relatives of Sayakbay, was erased while he fought with the Basmachi, takes place. And then we become witnesses of the first quarrel, when a young girl, unable to withstand the coldness of her husband, the expectation of which she lived the last days, with his relatives, shows her pride and, with a reinforcing horse, rides away from Sayakbay.

What served as the reconciliation of the young, one can only guess. We only see, as already significantly aged, but retaining the purity and light of their feelings, Beishekan and Sayakbay live side by side. Old man Sayakbay constantly stains his wife. But its severity is pretense, these two endlessly love each other. Because without you my life will turn into hell. ” You can not share the epic and karalaev itself, all its movements, plastic, sly squint of the eye and voice - all this serves him as an instrument for reincarnation in the image he needed.

Karalaev, as if he himself was the embodiment of the epic principle, fanned by the winds of the past, the motives of love, honor and fidelity, which were reflected most vividly in the story “My Tricky in the Red Aitmatian”, where the Aitmatov Genghis is inspired and gently sings the beauty and devotion of the Turkic woman, while telling about love and betrayal, irresponsibility and feelings.

duty struggling in the soul of each person. The driver of the truck Ilyas comes from Istanbul to the village where young Asia lives. Having fallen in love with a young girl from the first fleeting glance, he makes a daring decision - to pick up a beauty from the house and create a family, despite the fact that Asia is already a nearby relative. Parents renounce their daughter, but the life of her new family flows quietly and measuredly.

The Almighty gives the newlyweds the son of Samet, which is very pleasing to Ilyas. But just as a trail is never perfectly even and smooth, so fragile family happiness is rapidly breaking up the pride of the driver of the Ilyas truck. As soon as difficulties in work appear on the horizon, as Ilyas reacts violently to his wife’s desire to help, accusing the poor Asia of that she does not consider him a man.

Hot blood boils, as a result - Ilyas beats Asia, gets drunk and leaves the house, throwing his young wife and little son of Samet. In a fit of anger, he succumbs to the spell of his former passion, city, dressed from a woman's needle.Of course, where is the village, simple Asia, who appeared before her husband’s colleagues in national clothes, a colorful shirt and a red scarf, without a gram of cosmetics, but with a pure soul and an immense desire to help her husband.

Without enduring loneliness, when the husband leaves and does not return for several months, and even seeing him with his own eyes with another woman, Asia, rubbing bitter tears through a childhood, tender face, makes a harsh decision - takes her son in an armful and escapes where his eyes look. On the way, she meets a man who, in a terrible tragedy, has lost his wife and two children, does not have any more sense in life and continues to live only by inertia.

He is attached to the girl, falls in love with her, protects her young son. Genghis Aitmatov shows the purity of the soul and thoughts of Jamshit - the man puts the whole house at the disposal of Asia, he spends the night outside; finds the girl's work; calls a doctor for her son; He buys the first rattle for him and a beautiful outfit of the main character. But in her desire to carry her only good, Jemshit perfectly understands that it is impossible to force himself to love herself, and gives the girl the right to choose.

And at the moment when even Asia cannot decide that for her - extravagant, passionate Ilyas, first love, or caring, surrounding her and her son with the attention of Dzhemshit, - the son decides for her, calling Dzhemshita dad, running away from Ilyas Abda to his native, warm dad Dzhemshit. He decided himself. " The murmur of the stream! Leaves trembling in the autumn wind!

And drops of rain on the glass! The beating of my heart ... But one day a stream will fall silent!

The leaves will fall. The rain will cease, the sun will look out ... then what is such love?! Kindness, care and devotion! The choice is obvious - Asia remains with the jamshit, who became a real husband for her, and for her son - his father. It is impossible not to say about Aitmatov’s monumental work - “and the day lasts longer than a century”, which formed the basis of many Soviet and modern full -length paintings.

A romance begins with a description of the fox following along the railway tracks: “With the onset of night, the fox left the ravine. She waited, listening, and trotted to the railway embankment, silently running around on one or the other side of the paths. Here she looked for scraps thrown out by passengers from the windows of wagons. For a long time she had to run along the slopes, sniffing all sorts of objects, teasing and disgustingly smelling, until she came across something more or less suitable.

The whole path of the train was clogged with scraps of paper and crumpled newspapers, beaten bottles, butt, angry with tin cans and other useless garbage. Especially impersonal was the spirit of the surviving bottles - it was doused with a dope. After that, the head was spinning two times, the fox already avoided inhaling the alcohol in itself. Snorted, bounced off immediately to the side.

" And then the picture is replaced - an elderly woman runs to tell about the death of a man known to the whole village of Kazangap, a friend of the protagonist - Buranny Eugene. Later he was arrested by false denunciation and committed suicide to avoid the pursuit of his family, as Burannaya Ediga will find out. The inserts of the author himself are especially interesting in which he tells ancient legends, on which no generation has grown.

In one retreat, we are talking about the troops of Genghis Khan, and several dozen pages later Genghis Torkoulovich already immerse his reader in the history of one mankurt - a man who lost his homeland, his people, his memory, forgetting about the blood that flows in his veins. This is a whole philosophical parable about a creature, devoid of memory of parents, about a mother, deprived of a sense of shame, conscience, honor, turned into a beast in human form.

For the first time we are faced with this terrifying legend during the funeral of Kazangap: “The Ana-Bayite cemetery had its own story. The legend began with the fact that the Juanjuans who captured the Sarozeki in past centuries, exclusively brutally treated captive warriors ... The monstrous fate was waiting for those whom the Juanjuans left in their slavery. They destroyed the memory of the slave with a terrible torture - putting on the head of the victim’s head.

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